Brighton last week was a most refreshing experience. Lovely theatre room, warm audience, great location (near the sea) and
friendly promoters!! You may shrug at this last point, but it makes all the difference from feeling OK, to feeling really excited about playing somewhere. It's not that I constantly encounter weasly, cold-hearted bastards who really couldn't give a toss about your performance ... although, if I put my mind to it, I could drudge up a few. But a little bit of enthusiasm goes a long way.
I'm told this is a Brighton thing. Chatting to the bar manager afterwards, he informed me the stereotypical image of Brighton as a happy-go-lucky, chilled out paradise is "120% true". So. You heard it here first.
Hopefully I'll repeat my experience at
The Stables in Milton Keynes this Saturday, 18 April. It's a top venue, and I'm very chuffed to be invited there. Other artists on their upcoming programme include the likes of Georgie Fame, Ruby Turner, Imelda May, Show of Hands and, oh - Julie McKee! - would you believe. It's definitely worth a night out - a post-Easter soiree, if you like. 'Cos you're worth it :-)
I'm also feeling slightly buoyed after seeing a top gig last night at the Troubadour in west London. I hadn't been to a gig for ages, with one thing and another, and this time it was my turn to be a groupie - He-Man was drumming with the melodramatic pop combo of crooner
Orlando Seale. And very engaging and enjoyable it was, too. Not only that, all the other acts I caught were really high calibre - gorgeous vocals and serene soundscapes from
Rachel Wright, funk grooves from Miss P and a set from
Mano de Dios that had me smiling from start to finish. They rocked the place, with in-your-face flamenco, punk and rockabilly grooves, and the Spanish songs took me right back to my student days in Barcelona ... ahh. Those were the days.